Water is life, yet water is inherently political. As cities expand, urban populations are increasingly in competition with farmers and industry for access to water. Hydro-hegemony consists of showcasing water conflicts from 3000 BC right until the 21st century, demonstrating how water is the lifeblood of ecosystems; global environmental change, particularly climate change, and is further intensifying competition among rival uses and users, leading to conflicts and war.

Our lives have become increasingly digitalised. Despite growing concerns about the data we leave behind, only a small number of people are actively planning their own digital legacy, or know how to. Legatum Digitalis challenges the lack of awareness about the digital footprint we leave behind us after death and their inheritance, and speculates on future inheritance processes whilst providing a contextual, legal, and statistical overview.

Hand-drawn typography, modernizing Didone-style lettering.

Diploma work surrounding anthropocentric themes such as the archetype of the Perfect man, societal pressures exerted on single women and finding love in a techno-sexual age.

Placid is a typography created based on effective readability and emerging calm technology theories.

Calm technology theories propose that technology should seamlessly integrate into our lives, enhancing our experiences without causing unnecessary distractions or stress. It emphasizes designing technology to be unobtrusive and intuitive, allowing users to remain calm and focused on their tasks or surroundings.

Illustrative and animated project in collaboration with Fiona Valais, selected out of 25 to be projected on the Bel Air tower in Lausanne throughout the month of December for the Lausanne Lumieres Festival.

Graphic re-interpretations of the french card game Mille Bornes by Edmond Dujardin, created in 1954.